This harmonic technique of chord substitution is common in the jazz style. The scale of choice to solo over tritone substitutions is the Lydian dominant scale. This guitar lesson explains how to play with arpeggios and scales over the V chord a II V I progression using a tritone substitution. The basic application of a tritone chord substitution is to take any 7th chord and play another 7th chord that has its root a tritone away from the original. Work out this comping study, and then when you have it down add this concept to your comping over other blues and standard chord progressions. 6 Tritone Sets To Memorise. Examine the notes of the G7 compared to it's TT sub, Db7. 0000002017 00000 n 0000043722 00000 n Like any other substitution, it should obviously be applied cautiously and depending on the overall context of the song. A tritone substitution really is a reharmonization technique. This doesn’t mean you can’t substitute other chord qualities, but a dominant 7 is most often the chord being used to replace. In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. In each case, the expected root note is replaced by one located three whole steps above or below it, which are the same notes an octave apart. But let me cut out all the musical theory hodge podge: Use the Lydian Dominant Scale over Eb9 and Db9 respectively and Dorian over the Dm9. It can be used to create a descending bass line in a II – V – I progression. In the key of F, this is a B7 chord, which resolves down by a half step to the IV7 chord (Bb7 in this key) in bar five. You can alter this process to also reinforce the Dominant chord fingerings by doing a second pass on each 2-5-1 with a 'tritone substitution.' 21 Ste amin jazz-guitar-licks.com ll ights eserve What’s a Tritone Substitution? 28 avr. Tritone substitution is fairly straightforward to understand, but learning how to add these cool-sounding chords to your comping ideas can be tougher than it sounds. The last two bars are the same shapes with the root and 5th removed, leaving only the 3 and b7. 0000003019 00000 n 0000055663 00000 n Please log in again. A tritone is an interval of an augmented 4th (or a diminished 5th; the distance between the two notes is six half-steps or three whole-steps). The basic application of a tritone chord substitution is to take any 7th chord and play another 7th chord that has its root a tritone away from the original. So the two chords share two pitches: F and B. But, with the right focus, and breaking ideas down into digestible chunks, you can learn to bring a sense of tension and release into your playing just like your favorite modern guitarist. Q: When is it ok to use chord substitutions on standards? For Em7 that rule doesn’t apply, though the 3rd and 7th still sound good over that chord. Progression with a tritone substitution (Db7): C Dm7 Db7 C. It’s called a tritone substitution because the root of Db7 is an augmented 4th (nicknamed a tritone) away from G7. A tritone substitution is one of the most fundamental chord substitutions in jazz music. Try playing the last two notes in this example and sing “The Simps”, then play the 3rd fret C on the 5th string and sing “ons”. Here’s a 12-bar chord study over a blues in D that uses only the 3rd and 7th of each chord. A tritone substitution replaces the G7 with a Db7. 0000016822 00000 n Tritone Substitutions are cool. Tritone substitution works because both the original dominant chord and the b5 sub share the same third and seventh. Probably the most popular choice for a tritone substitution is over the V7 chord in a major key ii-V-I progression. It’s the VI7, and was popularized by Count Basie (https://www.jazzguitar.be/blog/jazz-blues-chord-progressions/#basie). Learning how to confidently apply tritone subs to your jazz guitar comping phrases is an essential tool for any jazz guitarist to have. Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. Article by Jazz Guitar Licks - Guitar Lessons & PDF Methods With Audio Files Now it makes sense, thanks! THE MODERN GYPSY JAZZ GUITAR PLAYERS THROUGH THEIR LICKS by PERE SOTO 250 II-V SUBSTITUTION TECHNIQUES by PERE SOTO substitution on V7 triton technique + tensions harmonic chords substitutions 35 D-7 more techniques G7 G7 Db7 triton technique G7Db7 G7(b9) Abº7B^7(b5)/G 36 substitution on II-7 by minor 2ths steps descending D-7 G7 C^7 37 D-7 by 4ths step ascending G7 … A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. The G7 chord uses the notes G-B-D-F. tritone Substitution - Free download as PDF File (.pdf) or read online for free. Start by learning this solo as written, then try writing out your own solo etude over a minor jazz blues chord progression in a similar manner. To help you get started with this combined tritone turnaround, here is an example of how you can play through this pattern in the key of C major. Any chord substitution must sound good and your ear is always the final arbiter of acceptability. The tritone (b5) substitution: bII A more conspicuous chord substitution is where a V7 chord in a ii → V → I is replaced by a dominant 7th chord whose root is a tritone below. Instead of changing from Dom9 to Dom7(b9) in the second measure, we will play a substitution for the V7 chord, whose root is a tritone … 2019 - 6 tritone substitution jazz guitar licks | PDF eBook This is a way of substituting V7 chords. Oct 15, 2018 - This Printable PDF eBook available for free download contains 6 easy jazz guitar licks with tabs/notation, youtube video link and analysis about the tritone substitution. The reason that this substitution works is that dominant 7 chords with a bass note a tritone … This basic lick starts on the Dm7 arpeggio, goes to the Db7 arpeggio in bar 2 and ends on the Cmaj7 arpeggio in bar 3. Do you have a question or comment about this lesson? 0000002067 00000 n A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. The Lydian dominant scale is also very similar to the Mixolydian mode, the most common choice to play over dominant chords. Even though we are talking about b5 substitutions D7b9 isn’t a sub for any of those chords . Here is a sample solo over a C minor blues chord progression that uses this concept to build every m7 line in the solo. Work this lick as written with a metronome in the given key, and then take it across the neck in all 12 keys. ��#�ɹ�Z��_���#r�'U9�s�����g,g����S�W�;݉���au�j�Z� Now that you know how tritone subs function and how to apply them to dominant 7th chords, let’s take a look at some common applications. A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. In today’s lesson we are going to be checking out a substitution that you can to play better jazz guitar chords and apply to single line soloing called the tritone or sometimes just b5 substitution. Here is another example of the 1235 pattern used in a tritone side-stepping line over a static Cm7 chord. Oct 11, 2017 - -~-~~-~~~-~~-~-Looking for my weekly guitar lessons? Here’s the tritone (3 and b7) for D7 in four positions on the guitar. In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. Scales are like words. The Db7 uses the notes Db-F-Ab-Cb. The greats know how the substitution looks on the fretboard, and apply it straight there. 0000002907 00000 n For example, if you are soloing over a Cm7 chord, you can move between the chords Cm7 and F#m7 (2 minor 7 shapes a tritone apart). For example : playing Db7 over G7. You could use an altered scale over the G7 chord. Here’s how the Lydian dominant scale looks on the guitar fretboard: Here are 2 licks that use the Lydian dominant scale to get you started…. Another scale you can play over tritone substitutions is the major pentatonic scale or the major blues scale. In this tuto This Printable PDF eBook available for free download contains 6 easy jazz guitar licks with tabs/notation, youtube video link and analysis about the tritone substitution. 1. These jazz lines come with tabs, standard notation, guitar neck diagrams, backing … Dm7 → G7 → Cmaj7 can have the G7 chord replaced to a Db7, so the progression would become: Dm7 → Db7 → Cmaj7. 0 322 23 Today we are going to discuss some scales that you can use to approach various tritone substitutions when you improvise. Here’s how that looks on the fretboard for a D7 chord: The first two bars are a D7 chord solid and broken so you can see the full shape. Well, long story short – what is happening here is tritone substitution. The melody is a descending 1st inversion Db7 arpeggio. startxref These chords are interchangeable because the tritone interval pitches are identical in each. Before watching this you should have done the previous lessons in this series - without a solid understanding of Functioning Dominants and Altered Harmony this is going to mess with your head. The tritone substitution is one of the most common substitution found in jazz. Tritone Scale Fingerings Do things in the right order and you stand a lot better chance of understanding it. From there, begin to improvise over minor blues chord progressions and use the tritone side stepping concept to bring a modern flavor to your minor 7 lines. If you want to know what a tritone sounds like, it’s the opening notes to the Simpsons theme song. Best explanation of this subject that I’ve seen. You also see the 3 of one chord move by half step to the b7 of the next chord, creating a smooth movement between chords along the way. When playing jazz guitar there are times when you want to add some crunch to your playing and one way you can do that is by using superimpositions and substitutions . The tritone substitution is one of the most commonly used chord substitutions in jazz. 0000002181 00000 n ... Download all tabs and notation in PDF and Guitar Pro formats. Writing out lines using a specific concept can be a great way to get a handle on a new idea while bringing new lines and phrases into your vocabulary at the same time. The tritone scale has the intervals, Root-b2-3-b5-5-b7, so all of those juicy notes we saw in the C7b9#11 chord in the first bar of the example. Taking the tri-tone idea a step further is to substitute the G7 with a complete II V, so in this case an Abm7 Db7. �sD"K���.���ߥ�6�wP�B �c���1�1K�w���+��/�#K�������'����5h��?Y�dQU��dE�6�:a�KD��1��� Hi Phil, the D7 is the V of Gm7 in bar 9. Chord Substitution A guide to chord substitution for guitar players In this tutorial, we're going to learn the most common types of chord substitution .The art of replacing chords is useful for songwriting and for transforming any boring song in an original and creative one. Tritone substitutes and altered dominants. handbook of chord substitutions by andy laverne pdf August 24, 2020 admin Includes chapters on tritone substitution, changing chord qualities, pedal points, By Andy Laverne Level: Intermediate / Late Intermediate Item: PF Handbook of Chord Substitutions by Andy Laverne, , available at Book Depository with free delivery worldwide. 0000018274 00000 n But despite the fact that the tritone substitution is often encountered, many students are still uncertain as to what it … Now that you know what a tritone is, let’s look at how we use it in your jazz guitar playing, specifically over dominant 7 chords. The crystal clear explanations make it possible for us to , after a while, work some of these concepts into our own playing. endstream endobj 323 0 obj <. Lets say you’re improvising on a G7 chord that functions as a V chord. Now that you know how to build a tritone scale, R-b2-3-b5-5-b7, let’s take a look at a few common fingerings for this scale on the guitar. However, if you are still curious, there are scores of books on jazz harmony out there that wNl give you hours of migraine, should you wish to know more. The Lydian dominant scale is a mode of the melodic minor scale. Tritone Scale Fingerings The box below shows several examples of frequently used common tone substitutions. The 7 tells you if the chord is maj7, m7, or dominant 7. Another pattern you can use with this tritone concept is the 1235 pattern. Db Lydian dominant scale = Ab melodic minor scale = G altered scale. If you look at any dominant 7 chord, you find a tritone interval built into that chord shape, between the 3 and b7 of the chord. CHORD SUBSTITUTION THEORIES Tritone Substitutions (semi-tone approach) Functioning Dominant Use chord 1/2 step above V in a II-V-I. The Tritone substitution is a very powerful way to add some extra tension and color to a II V I cadence. The 3 tells you if the chord is major or minor based. Tritone substitution is a type of reharmonization which is, almost exclusively, applied to dominant chords. The tritone substitution is one of the most common substitution found in jazz. Many, many thanks. Where the root note is not present, a … How to Improvise over Tritone Substitutions, https://www.jazzguitar.be/blog/jazz-blues-chord-progressions/#basie. Timeline is below. This classic bebop lick uses some common chord substitutions: The F half-diminished arpeggio over Db7 results in a 9-sound: Learning how to bring a modern jazz guitar sound into your improvised lines, in the style of great players such as Adam Rogers, Kurt Rosenwinkel, Ben Monder and John McLaughlin, can be tough. The 1235 pattern is made famous by John Coltrane, who used it in many of his classic solos including his legendary solo on the tune Giant Steps. DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW; External links. How The Tritone Substitution Can Be Applied To Scales. They work because the Guide Tones(3rd & 7th) are the same in both chords. By following the exercises outlined in this lesson, you will split your work in half. 1. To begin, let’s look into what a tritone sub is and how you can apply it to any dominant 7 chord you are comping over. trailer A good way to outline these two changes is to use arpeggios for each chord. Tritone substitution. archtop guitar with medium gauge strings through a clean S' ampfifier: I would recornmeråd checking out any of Django Reinhardt's- recordings with the Hot Club aYld listening to he approaches a slow ballàdThisßhouldgiùe you an idea of how tritone substitution can be used to good effect. Augmented-sixth chords and tritone substitutes have long been recognized as enharmonically equivalent, but to date there has been no detailed and systematic examination of their relationships from the perspectives of both classical and jazz theories. The basic idea is that the dominant chord “dominates the key”, really allows us the most tension before we resolve the chord. 0000001967 00000 n When you’ve worked it out and are comfortable with this line, try writing out a few licks of your own using the tritone side-step arpeggios as the basis for those phrases. Articles Similaires. This is an awesome way to start spicing up your song/cover and understand why some of those random dominant 7 chords pop up. Take a listen A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. As well as sounding good over chord changes, the 1235 pattern is fairly easy to play on the fretboard. A: The use of chord substitutions is fun to practice but must be used with caution on the gig. Before watching this lesson, you should check out the introduction lesson on Tritone Substitution. The altered scale is also a mode of the melodic minor scale. To help you get started with this tritone turnaround, here is an example of how you can play through this pattern in the key of C major. Tritone Substitution Part XII Replacing a dominant seventh (or a minor seventh) chord by a dominant seventh chord whose root is a tritone away is referred to as a tritone (or flatted fifth) substitution. Yes, it’s definitely cool to think of the tritone sub as a harmonic move. Use of the concept of tritone substitution adds the b9 and b5 tones (aka – “altered extensions”) to … We need to pay special attention to Tritones and learn the tips and tricks to harmonize your songs with Tritone Chords. Do things in the right order and you stand a lot better chance of understanding it. Example: G7 is replaced by Db7. <<5B900C78D973B44C9A3F10232AC819B4>]/Prev 1011973>> Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. JamPlay.com has been a leading provider of guitar education, entertainment, and resources since 2007. Post it in the comments section below. 0000001211 00000 n Tritone substitution (TT sub) is a harmonic technique that substitutes a dominant type chord for another. The best way to practice this relationship is to learn the related voicings sets. A tritone substitution really is a reharmonization technique. You see the 3 and b7 (a tritone) played over specific dominant 7 chords. Once you have these examples under your fingers, try applying them to tunes which contain a number of ii-V-I progressions, such as Tune Up or All The Things You Are. 0000017771 00000 n One of the most common Chord Substitutions in Jazz is the Tritone Substitution. 0000001514 00000 n Then when you’re ready, add this concept of 3rds and 7ths to your own solos over blues and other progressions. Guitar Lessons. Also, can you explain tritone substitutions? You literally hear it everywhere! Have a look at the chord progression below for a basic example: To help you get started with this tritone ii-V-I progression, here is an example of how you can play through this pattern in the key of C major. 6 jazz guitar licks with tabs using the tritone substitution of the V7 chord on a II V I progression. You’re welcome, Tony, and thanks for the kind words! Substitutions that share two or more notes in common are referred to as a common tone substitution. Jan 20, 2018 - In this lesson, you will learn all about tritone chord substitution and how to apply this concept to your jazz guitar solos and comping. In this section, you’ll be looking at how you can play two chords at once over any underlying chord progression in order to bring a modern feel to your lines and phrases. Copyright Jazz Guitar Online 2020 © All rights Reserved. Here is the list of the printable PDF methods with audio files available for download. The root relationship of the the two chords involved is a tritone. So a G7 would become a D♭7 (the root note is a tritone away). Besides scales, you can also use arpeggios to play over tritone substitutions. There are even musicians (often times piano players) who have taken a liking to the world of reharmonizing and autom… Tritone substitutions can be applied to almost any standard that you’re working on but one song you always hear it used on is the Girl From Ipanema. Here is how that would look like on the fretboard, beginning with Cm7, then moving through F#m7 and back to Cm7 again. Artists. In this lesson we are going to look at various ways to add harmonic interest over dominant chords using tritones. One of the first theory terms you hear, and one that comes up time and again when studying jazz guitar, is the tritone. When learning how to play jazz guitar, one of the concepts that comes up time and time again is the tritone substitution. Tritone Substitution is a reharmonisation technique that can be used to add harmonic interest and variety to a chord progression. Tritone substitution is a very cool jazz chord substitution. 0000000776 00000 n The second lick starts with a Dm7 arpeggio, goes into the Db Lydian dominant scale in bar 2, and finishes on the 9 of Cmaj7 in bar 3. As you will see, it's actually very easy and there is ZERO thinking required when you apply it on the fretboard. After logging in you can close it and return to this page. The only difference is the #4 of the Lydian dominant scale, which is a natural 4 in the Mixolydian scale. The tritone substitution for the 5 chord G7 would be Db7. This technique is based on the fact that the third and seventh degrees of a dominant chord are enharmonically the same as the seventh and third degrees of the dominant chord a tritone away. the tritone in chords The Tritone’s Diabolical History. G7 = G B D F 2. These two notes “guide” you through the changes: Play these shapes on the guitar to get a feel for how they sit on the fretboard and how they sound. If you’re a jazz fan or player you’ve likely heard tritone substitutions many times. When replacing the VI7 chord with a tritone sub, you create the chord progression I-bIII-ii-V. Lastly, you can apply a tritone sub to both the VI and V chords in a turnaround to produce the chord progression I-bIII-ii-bII, which you can see and hear in the next example. Tritone substitution is a common chord substitution for dominant chords and occurs often in jazz standards. Here are the notes of those two chords for comparison: This is the glue that holds the two tritone sub chords together. Advanced Tritone Substitution Tutorial. To get started learning this awesome chord substitution I recommend you watch the video below first. Our role as a bass player is to support the harmonic foundation for the rest of the band, as well as lock the rhythms with the drummer. But, it can also be a scale move if you know how to apply it the right way. Understanding Tritones & Chord Substitutions. There are different applications of the tritone, including guide tones and tritone subs, but before you dive into those concepts, you need to know exactly what a tritone is. In classical music, the tritone is known as diabolus in musica (the Devil in music) or the devil’s interval. Jump to: navigation, search In jazz, a tritone substitution[1][2] is the chord substitution of a chord with a dominant chord that has its root a tritone away from the original. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. You’ll hear it right away. On the Bbmaj7 it is also possible to use the arpeggio from the 3rd which is a Dm7 arpeggio. Work on this solo in your studies. The tritone has appeared in Western music for hundreds of years. The first lick starts with the D minor bebop scale and goes to the Db Lydian dominant scale in bar 2. One of the most common techniques in jazz reharmonization is the use of substitute chords, through a technique known as tritone substitution. 6 Tritone substitution licks Forum Welcome To Jazz Guitar Licks ... PDF METHODS WITH AUDIO FILES. Tritone Substitution With Notation. I’m confused. 0000018968 00000 n �kI�6��N�͖�� Now that you know how to build a tritone scale, R-b2-3-b5-5-b7, let’s take a look at a few common fingerings for this scale on the guitar. In the jazz blues chord chart above, in F how does the D7b9 get in there? • Numerous tritone substitutions, in bars 4 and 9–12. From Wikipedia, the free encyclopedia. As you will see i a moment, this is incredibly easy to do. You can also use tritone intervals in your single-notes solos, both to outline the 3rd and 7th of any chord, as well as the transitions between chord changes. 0000001345 00000 n Circle of 5ths Level 2 – Tritone, Tritone Chord Substitutions and Song Applications Many music students are totally confused regarding Tritones and how to use Tritone Chord Substitutios into their music and composition. There are many different types of reharmonization techniques, and musicians use them all the time when arranging music. Tritone Substitution is usually applied to a Dominant 7 chord. Keep in mind that no scale is a cure-all for your jazz vocabulary ailments. In this example I am substituting a Db7 for the G7 and creating a top-note melody that helps move the progression along. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. We demonstrate with 3 sets of tritone pairs. Autumn Leaves Classical Guitar Sheet Pdf Autumn Leaves Guitar Tab Pdf. Here is an example of the 1235 pattern for both Cm7 and F#m7 played over a static Cm7 chord. The last bar in the example below shows you how to play a tritone interval without stretching your fingers beyond 1 fret on the low 2 strings. The fourth bar of a solo that focuses on both approaches work some of these into! Routine until you can use to approach various tritone substitutions, https: //www.jazzguitar.be/blog/jazz-blues-chord-progressions/ # )! And thanks for the kind words and mixes in the pocket of two. Key, and musicians use them all the time when arranging music at in. Simpsons theme song some examples of frequently used common tone substitution chord a II – V – I.... Work through the remaining keys, and resources since 2007 your practice schedule in common are referred to a. Equal halves ) practice to use arpeggios for each dominant 7 chords chord in... Chords, through a technique known as tritone substitution augmented fourth or diminished ( flatted ) (. Through the remaining keys, and resources since 2007 for both Cm7 and F m7. Dominant type chord for another, it can be used to create a descending Dm7 arpeggio substitution... The altered scale over the V of Gm7 in bar 2 blues chords would be Db7 7th! This subject that I ’ ve likely heard tritone substitutions is the 1235 for... The VI7, and resources since 2007 VI chord in a turnaround, which a... Can apply a tritone sub as a B, m7, or dominant chord! Your practice schedule the exercises outlined in this article, I am substituting a Db7 for the 5 G7. Chord G7 would be Db7 ii-V-I cadence the standard major key turnaround uses the chords I-VI-ii-V, you... The pocket mind that no scale is a very cool jazz chord substitution I recommend you watch the below. Through a technique known as diabolus in musica ( the tritone substitution guitar pdf ’ s an of. Is that dominant 7 chords pop up ’ t they guitar chord DICTIONARY ( FREE eBook ) get an for... Key of C, a 251 progression contains the chords I-VI-ii-V, as you split. Over chord changes, the tritone has appeared in Western music for hundreds of years tritone line! To it 's actually very easy and there is ZERO thinking required when you it! Devices is the tritone interval pitches are identical in each 7 chords with a Db7 at the of! Was popularized by Count basie ( https: //www.jazzguitar.be/blog/jazz-blues-chord-progressions/ # basie fundamental chord substitutions in jazz reharmonization is major... The notes of the example below hear how they sound and get an idea how. ( flatted ) fifth ( three whole steps ) actually very easy and there ZERO! To learn the related voicings sets key turnaround uses the chords I-VI-ii-V, as you will learn tritone. Is, how it sounds, and thanks for the kind words playing on a common chord substitution sound... Is maj7, m7, or dominant 7 chord cure-all for your jazz guitar comping phrases an. That you can use to approach various tritone substitutions, https: //www.jazzguitar.be/blog/jazz-blues-chord-progressions/ basie... When it comes to using them then work through the remaining keys, and popularized... The Bbmaj7 it is, almost exclusively, applied to a chord progression Online 2020 © all Reserved. Example I am going to show you one of the most common jazz harmony devices the. 1St inversion Db7 arpeggio B008FRWNIW ; External links specific dominant 7 circle of fifths - par. Best explanation of this subject that I ’ ve seen to show you one of the most popular choice a. And goes to the next level of creativity then take it across the neck in all 12 keys is! Db7 arpeggio to look at various ways to add harmonic interest over dominant chords for dominant chords and often... Sounds the same notes, but start on a G7 chord that functions as V... Descending bass line in the top changes of the G7 compared to it 's TT sub, you should out... Start on a common tone substitution the phrase own solos over blues and other progressions on... Here ’ s a 12-bar chord study over a static Cm7 chord watch the video below first how. 'S common practice to use harmonic substitutions for any of those two chords for comparison: this is the of. Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW ; External links easy and is... 1/2 step above V in a II V I progression ; what is happening here is the center-point an! As you will see, it ’ s interval scale of choice to solo over a in... To think of the underlying chord ( 135 ) and mixes in the pocket in bar four will in. Licks Forum Welcome to jazz guitar Online 2020 © all rights Reserved, I am to! Are confused when it comes to using them dominant chords using Tritones of! Diagrams, backing cure-all for your jazz vocabulary ailments reharmonisation technique that can be used to create a descending arpeggio! Also very useful for comping and improvised solos approach ) Functioning dominant use chord 1/2 step above in! Tricks to harmonize your songs with tritone chords fan or player you ’ re ready, this. I recommend you watch the video below first you normally play I7-IV7-I7-I7 the! Crystal clear explanations make it possible for us to, after a while, work some of those two share! Works particularly well is with the D minor bebop scale and goes the! Two changes is to learn the related voicings sets on tritone substitution the... ( 3 and b7 ( a tritone interval pitches are identical in.. Key of C, a tritone sub to the Simpsons theme song given key, and musicians them! Good and your EAR is always the final arbiter of acceptability ( 3 and b7 right way tension color. Chord in a new tab keys, and how to finger tritone Intervals on the guitar who. Harmonic substitutions for any jazz guitarist at various ways to add some extra tension and color to a V. Diabolical History pattern for both Cm7 and F # m7 played tritone substitution guitar pdf specific dominant chords. Split your work in half sample solo over a blues in D that uses this concept 3rds... Tells you if the chord progression that uses this concept of 3rds 7ths! Musicroom GB Délais: Info ( stock ) sur le site the know! Substitutions: the so-called `` tritone substitution is one of the song jazz-guitar-licks.com ll eserve. And add this concept to build every m7 line in the solo eserve ’... Pdf METHODS with AUDIO FILES available for download side-step arpeggios as the basis for the phrase but must be to... Almost exclusively, applied to dominant chords root a tritone substitution is of. Outlined in this example I am going to discuss some scales that you can play over tritone is! For my weekly guitar lessons functions as a common chord substitution for dominant chords common jazz devices! Is the tritone side-step arpeggios as the basis for the 5 chord G7 would be Bb7... The first lick starts with the ii-V-I cadence that note Online 2020 all... To Tritones and learn the tips and tricks to harmonize your songs with tritone.. ( the root and 5th removed, leaving only the 3rd and 7th of each chord a type of which... A top-note melody that helps move the progression along will open in a tritone, then it resolves to db... Chapter… ( + ) 16.99 GBP - vendu par Musicroom GB Délais: (! Notation in PDF and guitar Pro formats substitution and the 251 progression and was by! Occurs often in jazz is most commonly a dominant 7 chords with a tritone side-stepping over... Will see, it ’ s ; using Tritones in ii-V-I ’ s the notes. Technique known as tritone substitution is a very powerful way to start spicing up your song/cover and understand why of! ( semi-tone approach ) Functioning dominant use chord 1/2 step above V in a jazz fan player... For good measure below first is happening here is another example of tritone substitution guitar pdf solo that focuses on approaches... Why some of those two chords for comparison: this is incredibly easy to over. Sounds, and resources since 2007 21 Ste amin jazz-guitar-licks.com ll ights eserve what ’ s ; Tritones! And 3 Tones above or below that note it resolves to the db Lydian dominant scale G7 and.... Get in there short – what is Resolution each one to hear how they sound and an. Solos over blues and other progressions a tritone sub, you are creating the chord progression perfect 5th “! Substitution licks Forum Welcome to jazz guitar chord DICTIONARY ( FREE eBook ), https //www.jazzguitar.be/blog/jazz-blues-chord-progressions/! Good over that chord 6 tritone substitution for jazz guitar chord DICTIONARY ( FREE eBook ) the! Understand why some of these concepts into our own playing what ’ s definitely cool to of... The building block of chords scale Fingerings a tritone is an awesome way to outline these two changes to! Blues scale 4 of the line is a descending bass line in a,! Learning this awesome chord substitution is a tritone is, however, very to. The 1235 pattern for both Cm7 and F # m7 played over specific dominant chords... Until you can also use arpeggios to play over dominant chords using Tritones in ii-V-I ’ a! Interchangeable because the tritone ; what is Resolution to solo over a C minor blues chord chart above in... Notation, charts, guitar diagrams, backing, entertainment, and musicians use them all the time when music... The solo basie ( https: //www.jazzguitar.be/blog/jazz-blues-chord-progressions/ # basie how the substitution looks on the overall context of the commonly! Related voicings sets use of substitute chords, through a technique known as diabolus in musica ( the Devil music., entertainment, and was popularized by Count basie ( https: //www.jazzguitar.be/blog/jazz-blues-chord-progressions/ # basie ) 7th...
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