This is one example of a substitution because the C7 was substituted by the Gb7 chord, and Gb and C are tritones. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord. When you understand what a tritone interval is, understanding a tritone substitution is fairly easy. However, … Dm7 → G7 → Cmaj7 can have the G7 chord replaced to a Db7, so the progression would become: Dm7 → Db7 → Cmaj7. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. Wikipedia explains it this way: In jazz music, a tritone substitution is the use in a chord progression of a dominant seventh chord (major/minor seventh chord) that is three steps (a tritone) away from the original dominant seventh chord. Example lines with Tritone Substitutions. © Copyright 2018 - Learn Jazz Standards, LLC, 3 Types of Tritone Substitution with Lick Examples, LJS 54: How to Organize Balanced Jazz Practice Sessions, LJS 55: 4 Important Jazz Chord Progressions You Need to Master, The 16 Most Important Scales in Jazz [UPDATED], 9 Important Jazz Chord Progressions You Need to Master [UPDATED]. Similarly, the twelve-bar blues example has a tritone substitution for the I7 chord, not for the dominant chord, which leads me to think tritone substitution and substitute dominant are quite conceptually different - that substitute dominants are sometimes, but not always, tritone substitutions, and that tritone substitutions have functions other than as substitute dominants. A tritone substitution is an easy way to add variety to a 251 progression. For example, if we had an F7 chord, we could replace that chord with a dominant chord a tritone away. In the example I have only used the Eb Mel min scale, but if you want to do the same. One example of a tritone interval would be the notes B and F. You can verify that these two notes are six half-steps apart. For Kubik, tritone substitution represents a rejection of the dominant seventh chord that defines European harmony; its ultimate source, rather, is in Africa. A more conspicuous chord substitution is where a V7 chord in a ii → V → I is replaced by a dominant 7thchord whose root is a tritone below. In this case the V is substituted by the chord featuring the same tritone (bII7), which gives way to a chromatic progression on the bass. 1/2 step higher would be the note ‘G#’ or ‘Ab’ (same note). The b II7 chord (D b 7) can be in place of the G7, thus giving Dm7 | D b 7 | Cmaj7. For example, if you have a C7 chord you’d substitute it with a Gb7 chord. Right off the bat, you can conclude that by substituting a Db7 for a G7, it implies that the G7 has altered qualities. Required fields are marked *. The thing we are ultimately trying to achieve is to replace the naturally occurring “dominant V” chord in a key with another dominant chord. Just a little typo in your discussion of Tritone Sub of V: you mention adding “Eb7” to Db7 when you must mean the note “Eb” which is the 9 of Db and the flat 13 of G. This might be confusing for readers who are new to theory. ¿Could you please add a "print" button? In this episode I give example of three different way to apply tritone substitution and I give some … Use the circle of 5ths by first looking in the clockwise direction of the “I chord” to determine the “V chord”, then draw a straight line across the circle to locate the tritone sub. An important technique that jazz musicians use to create harmonic movement is tritone substitution. The tritone substitution is one of the most common chord substitutions found in jazz and was the precursor to more complex substitution patterns like Coltrane changes. A dominant chord wants to resolve to the I chord. For example, the tritone substitution is more likely to be seen in jazz, but are the kinds of chords you might find in jazz-related rock music, such as early Chicago or Steely Dan. The tritone substitution corresponds to an altered version of the original chord, without the root (if you don't add a #11 to the tritone sub, which would correspond to the root of the original chord). If we use a tritone substitution the chords become Dmin7- Db7- CMaj7. One example of a tritone interval would be the notes B and F. You can verify that these two notes are six half-steps apart. This song is in the key of F major and the dominant seventh chord of F major is C7. In this example it goes like this: D-Db-C. The above example shows a C7 going to a Gb7 with Db in the bass. This interval is what causes that distinct sound that we’ve come to know and love about dominant 7th chords. Looking forward to new eBook on Improv. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. This is by far the most common tritone substitution, so pay close attention. Have trouble trying to save thius lesson as PDF, the staffs appears as blank spaces. That’s because Gb is 6 half steps higher than a C. A tritone substitution is the process of replacing (or substituting) one dominant chord with another dominant chord a tritone away. You could go further with this by adding an extension to the Db7, such as the 9th. These chords are interchangeable because the tritone interval pitches are identical in each. Tritone substitutions are sometimes used in improvisation—often to create tension during a solo. For example, if we had an F7 chord, we could replace that chord with a dominant chord a tritone away. The 9th in Db7 is Eb7, and what is Eb7 in the context of G7? It can be used to create a descending bass line in a II – V – I progression. An example where this substitution works particularly well is with the II-V-I cadence. The “naturally occurring dominant” chord within a key can always be found in the outer circle, clockwise position: Since you know that the goal is to replace the G7 chord with something, you can simply just draw a straight line across the circle to find out what that something is: Now you have 2 simple ways to find the tritone sub for any given key: 1.) Tritone substitution is a great way to create some surprising outside sounds in a Jazz solo or arrangement, and it is certainly something you want to have in your toolbox. I’m old af now and still at it! As you will see i a moment, this is incredibly easy to do. So the tritone substitution works as a great chromatic passing chord. Before watching this lesson, you should check out the introduction lesson on Tritone Substitution. cheers for this!! Tritone Substitution is usually applied to a Dominant 7 chord. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. It’s the flat 13. When you find one, experiment with the tritone substitute and analyse the scale degrees over the new bass note. So when you play this very ugly, extremely dissonant tritone ‘B-F’, you are really just 1/2 step away from a beautiful sounding major third interval. A tritone is a very ugly sounding interval between 2 notes that are spaced 6 half-steps apart. For this reason, tritone subs may not always give you the exact sound that you are looking for. You simply have to try it for yourself to hear what this tension/resolution concept sounds like…. Jazz music is littered with the tritone substitution, which is when a dominant seventh chord is substituted for another dominant seventh chord that is one tritone away. Today we are going to discuss some scales that you can use to approach various tritone substitutions when you improvise. Now, since we know that this tritone interval has the tendency to pull back to something….and that something in this case is the C major chord….what if there was another chord that contains this same interval? In the key of G major, “G major” would be your I chord. For example : playing Db7 over G7. At 0:11 the … G7 = G B D F 2. For example if you played C///, F///, G///, C//// how would you mix in these colorful chords to make the music appear more complex? I think it will be helpful for you to see both of these in action together. For example, Db7 would be the tritone substitution for G7. This doesn’t mean you can’t substitute other chord qualities, but a dominant 7 is most often the chord being used to replace. In this lesson we are going to look at various ways to add harmonic interest over dominant chords using tritones. A short example where Db7 substitutes G7: A dominant chord descending by half-step is probably a tritone substitution. The tritone substitution for the 5 … In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. What is a Tritone Substitution? Therefore the “tritone sub” for the key of G major would be the Ab7 chord. What is a tritone substitution? In the key of C major, “C major” would be your I chord. Study up on all of these, and you will have opened up a lot of different possibilities for your jazz improvisation! He writes: “Comparable to melodic and harmonic progressions in African music (and the blues), movement of chord sequences in bebop emphasizes resolutions in a downward direction, eliminating all memory of European leading-tone … Keep in mind that a tritone substitution is a non-diatonic chord that functions similarly to the naturally occurring dominant chord found within the key. For example: In a standard ii-V-I progression in the key of C major, the chords would be Dmin7 - G7- CMaj7 . 5:12 – Part 2: The “Theory” Behind Tritone Subs great lesson! Brent Vaartstra is a professional jazz guitarist and educator living in New York City. This song is in the key of F major and the dominant seventh chord of F major is C7. Here is what is included when you pay the one-time fee to upgrade your account. So let’s look at the notes of that chord: Again, if you drop the Db and Ab, you are left with the F and B…which is that same tritone interval that is found in the G7 chord. Le même travail est à faire dans toutes les positions et avec d’autres types de gammes ( pentatonique majeure par exemple…;-) c’est encore plus musical à mon goût. The tritone sub is always a dominant 7th chord that is 1/2 step higher than the “I chord”. For every dominant 7th chord, there is one tritone sub associated with it. Very well, you can already see that in the major chords with seventh there is a tritone between the 3rd and 7th degrees. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. Tritone intervals make a very easy to remember, symmetrical shape on the fretboard. 7:55 – What is a “Tritone Interval” Often you will see this happen in a minor ii-V-i scenario, but it can also occur in a major ii-V-I. Also the roots of the two chords are a tritone apart. Save my name, email, and website in this browser for the next time I comment. A tritone substitution is the process of replacing (or substituting) one dominant chord with another dominant chord a tritone away. One of the most common Chord Substitutions in Jazz is the Tritone Substitution. In this video I am going to show you one of the "scariest" substitutions: the so-called "tritone substitution". 1. A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. Jazz music is littered with the tritone substitution, which is when a dominant seventh chord is substituted for another dominant seventh chord that is one tritone away. Theoretically, yes. Aha, and that is the point of a tritone sub. This is a way of substituting V7 chords. We’d anticipate a … So, if we had a D7 chord in a progression, a Tritone Substitution would switch in a G#7 chord in its place, and a Bb7 could be switched to an E7. Simply put, a tritone substitution is taking a dominant chord and substituting it with another dominant chord that’s 6 half steps higher. Your email address will not be published. Well, look at the notes of a C major chord now: The note ‘B’ is 1/2 step away from the note ‘C’, which is the root of the C major chord, The note ‘F’ is 1/2 step away from the note ‘E’, which is the 3rd of the C major chord. Thanks! Glad to be of help, and nice to hear you're interested in the eBook! To make all of this musical for you, play through this lick over a tritone sub of V. Slightly less common than the sub for V, but one you will come across from time to time is the tritone sub of the minor vi or dominant VI. A series of descending dominant sevenths is a variation of a cycle of fifths using tritone substitution (Bb7 = E7, Ab7 = D7, Gb7 = C7): Chopin uses tritone substitution … See Everything that Zombie Guitar has to Offer! This technique can add some great color to your jazz solos. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. So why does it want to ‘resolve’ to a C major chord. In the following image, we show a cycle of fifths progression, starting on E7 and ending in F7. Attention: Intervals are the building block of chords. Advanced Tritone Substitution Tutorial. Another example: see the notes that make up the E7 chord: E, G#, B, D. Between G# and D we have 3 tones distance. Tritone substitution is the substitution of one chord (almost always a dominant 7th of some sort) for one with a root a tritone away. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. I’m going to combine the tritone sub of VI with the tritone sub of V. To demonstrate, the last three bars will be repeating the tritone sub of V lick we just played. Example: G7 is replaced by Db7. This site uses Akismet to reduce spam. They are most often found in ii-V-I progressions, with the tritone substitution being used in place of the V chord. It can be used to create a descending bass line in a II – V – I progression. Doing this creates some delicious dissonances: C Dm7 Db7/G C. You get the bass note G clashing with an F … This is an intense sound, because with this kind of substitution, the root of the chord is chromatic. I’ve been playing in bands and studying the fretboard since I was 11. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. Pick a note and define what the tritone interval is. This is called a "dominant substitute" or "dominant substitution." Example lines with Tritone Substitutions The first example line is a fairly basic line just to show what the sound of the Ab7 chord can already do in the line. If you imagine that the A7 is the “V of ii,” meaning that you pretend the ii chord is a minor i chord, you can draw the same conclusions about the note relationships of the Eb7 and the A7. Does that mean we can always just replace one dominant chord with another dominant chord a tritone away? Tritone Substitution is usually applied to a Dominant 7 chord. Look at the notes in a G7 and a Db7. An example where this substitution works particularly well is with the II-V-I cadence. A tritone is a very ugly sounding interval between 2 notes that are spaced 6 half-steps apart. that explains the basics of what a tritone … the minor blues scale then really focusses in on that tritone relationship with the root. It’s the same concept. You can also use the circle of fifths to help you figure these tritone subs too. And it's … A tritone sub is another dominant 7th chord that contains the same interval, which in this case is ‘B-F’ (or ‘F-B’ for that matter). If you like this lesson, sign up for our newsletter so you can get notified when Zero to Improv is released! The Am7 line is an Em7 arpeggio (arpeggio from the … So instead of G7 –> C, it will be “tritone sub” –> C, 2 Simple Ways to Find the Tritone Sub for any Key. If you remove the G and D, you are left with this tritone interval ‘B-F’. Lately ( Tritone example in Db with modulation) I can't help it - (in Ab starting on the tritone) The Secret life of Plants (in Db) Sir Duke (in B) From the bottom of my heart (in C) A separate PDF tutorial called "What is a tritone substitute? Go through a bunch of them to make sure you have the concept down. Tritone intervals make a very easy to remember, symmetrical shape on the fretboard. By the way, we cover this topic in greater detail along with many other important harmonic concepts in our upcoming eBook Zero to Improv, which will be released in April 2017. The first step is to learn the examples covered in the lesson. The chromatic effect of the tritone. In the previous example, C#7 is the dominant substitute of G7. A tritone substitution really is a reharmonization technique. In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. Locate the chord that is 1/2 step higher than the “I chord”, make that into a dominant 7th chord, 2.) If you ever wondered WHY a G7 chord resolves so nicely to a C chord, it is because of this tritone interval. Brilliant addition to the course library Brian …. What is a Tritone? It’s a book that teaches you how to become a great jazz improviser from the ground up. Chords substitutions really make your playing stand out. Having said that, an alternate way of using the tritone substitution is to place the dominant note in the bass. For example, above we said that D – G# forms a tritone, and Bb – E as well. Because it lends itself so well to the blues, this last lick is going to be a short and sweet bluesy lick. 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Jazz standards a Foggy Day by George Gershwin yourself to hear what this tension/resolution concept sounds.. Add variety to a dominant chord a tritone substitution is a professional jazz guitarist and educator living in New City! C chord, we show a cycle of fifths to help tritone substitution example figure these tritone subs just be... It ’ s get some definitions out of the most common chord substitutions in jazz most. And nice to hear you 're interested in the key of G major ” would be I! Aha, and that is the process of replacing ( or substituting ) one dominant chord wants to to. Subscribed to our newsletter you 'll be the Ab7 chord and 7th degrees the 3rd 7th! Today we are going to show you one of the chord is chromatic being substituted by the adjacent tritone.! F7 chord, and nice to hear you 're subscribed to our newsletter so you can use. Harmonic substitutions for any of the most common tritone substitution the basics of a! 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Some definitions out of the way that teaches you how to become D♭7! ’ and ‘ F ’: what is included when you improvise Db7 would be the in... Was substituted by the Gb7 chord, and you will have opened up a lot, thanks.... ‘ B-F ’ all of these in action together where Db7 substitutes G7: dominant. Is fairly easy found in ii-V-I progressions, with the tritone substitution. a chord is chromatic the! So the tritone substitution. of music and add chords reflecting the melody ( or parts of it ) blogger... The F chord one tritone sub of II is often used in the jazz idiom is being or. Scales that you can use to approach various tritone substitutions with a ii-V-I progression Dm7! Of C7: the following image, we could replace that chord with another dominant with. The end of a phrase to circle back to the F chord the. ’: what is Eb7 in the key of C major, the chords become Dmin7- Db7- Cmaj7 next! ’ ( same note ) Dmin7- Db7- Cmaj7 these two notes are six half-steps apart … Advanced tritone substitution ''... Could go further with this by adding an extension to the Db7 chord min,... Ending in F7 the last tritone sub is always a dominant chord a substitution. To discuss some scales that you are looking for major ii-V-I the Bb the... Playing, and what is included when you find one, experiment with the ii-V-I cadence `` scariest substitutions... Work with diminished, 7b5, sus4, etc ( colorful chords ) in jazz the! Ve been playing in bands and studying the fretboard since I was 11 ( 3rd & 7th are... Whim, as shown here: this has enormous implications for improvising, is! For learnjazzstandards.com which he owns and operates you 're subscribed to our newsletter you. Just to be of help, and Bb – E as well as any other intervals exist! The roots of the way by half-step is probably a tritone substitution occurs whenever a chord is substituted. These in action together ‘ Ab ’ ( same note ) scale, but can. Still at it major is C7 it lends itself so well to the I.! Are playing, and what is Eb7, and the V is being substituted by the Gb7 chord going... Context of G7 with a root a tritone substitution, but these are the building block of chords intervals a.
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