best female covers of male songs

Acoustic music has come a long way over the years, so many are “oldies” and many are “newies.” We are basing this list off of historical album sales, the ever so objective factor of acoustic-ness, but mostly how easily they make us cry. Lewis’ alt-country twang complements Oberst’s desperate croon, Ward’s lazing rasp, Gibbard’s tender earnestness, and the twins’ swaying altos. Preach. Whether this was at the suggestion of producer Rick Rubin or Cash’s doing, it’s revelatory: Jesus himself, Cash tells us, is your personal Jesus. , this is one of the lesser known ones but is worth singing together. Stevie Wonder - 'We Can Work It Out' Originally by: The Beatles. It’s hard to beat Lucchesi’s menacing, guttural delivery when she proclaims, “She needs a cigareeeette!” She’s so unapologetically adamant you get the feeling she’s singing in the third person. Perhaps it’s that the violence of the lyrics didn’t match the angelic quality of the vocals. The mid-tempo beat allows Hill time to draw out syllables and intermittently mingle with Wyclef Jean and Pras Michel’s vocal riffing. Female covers of songs originally sung by male singers. Pubs and bars worldwide host regular karaoke nights and the digital sing-along can be enjoyed at home... Read more ». A modern hit, Ed Sheeran has become well known now for his duets and singing alongside one of the best female singers in the industry made it an even bigger hit. Sign up and I'll … It will require that extra bit of practice. If there was ever someone who could take that unruly sentiment, pump it full of snark and disaffected angst, and coat it in garage-punk fuzz, it’s Tina Lucchesi. —Hilary Saunders, Back in early 1990, when MTV was king and hair metal was, um, queen, a buzz-cut sporting Irish folk singer redefined his Purple Highness with a stripped-down cover and video to match. —Robert Ham, Jake Holmes may not have gotten credit for inspiring Led Zeppelin’s “Dazed and Confused” until 2012, but without his original trippy folk song, this Zeppelin mega-hit would not have existed. Though it was gorgeously produced, and almost dirge-like in its pace, there was something that didn’t feel quite right about it to audiences. Singing together is a very good idea and can be really enjoyable. Chan Marshall’s version, by contrast, is of a piece with most of the material she recorded for her 2000 Covers Record. Another classic by one of this country’s greatest singers and one of the USA’s greatest singers, this is a really fun, up tempo pop song which remains a popular duet to perform. Non-hip hop covers of hip-hop songs generally are cringeworthy, but Lissie goes for broke here, emoting hard and imploring us to tell us what we know about night terrors (nothin’). “(What’s So Funny ‘Bout) Peace, Love, and Understanding” asks a very real question in response to the cynicism of the day without making the song feel mawkish or a mockery of itself. Jett’s a pro at covering other people’s songs and making them her own (see also: Crimson & Clover, Love is All Around, You Don’t Own Me, Do You Want to Touch Me (Oh Yeah), Love Stinks), and any number of them would be worthy of this list, but none are as definitive as “I Love Rock ‘N Roll,” which went platinum and spent seven weeks atop the charts in 1981. —Bonnie Stiernberg, “I Fought the Law” became a punk anthem thanks to The Clash, but it started life as a much milder rock tune. When You Believe by Mariah Carey & Whitney Houston, Me Against the Music by Britney Spears & Madonna, I Don’t Care by Ed Sheeran & Justin Bieber, Lady Marmalade by Christina Aguilera, Pink, Mya & Lil Kim, How to Warm Up Your Voice | Vocal Exercises & Quick Vocal Warm Ups. 3:40 0:30. —Trevor Courneen, Recorded in 2000 for her The Covers Record, Chan Marshall’s version of this doo-wop classic is sparse and lovely, allowing her voice to do all the heavy lifting and resulting in an arresting interpretation. A careful drum fill picks up and the track’s grandest moment comes with a screechy, careening guitar solo. Make sure you are familiar with the song before you start. —Sara Bir, Just as Talking Heads did with Al Green’s “Take Me To The River,” so too did the soul singer do with a sad ballad by the brothers Gibb: taking the raw material of the original song and transforming it into something far more moving and searing. So make sure you’ve got lots of practice together and you know that you work well before you take on a performance in front of an audience. —Bonnie Stiernberg, It’s one thing to successfully cover someone else’s song and put your own spin on it; it’s another thing entirely to completely blow it out of the water. Ok, so it’s a bit more than a duet but this remains one of the greatest pop collaborations and is a very fun song to perform with someone else. Collaborating with other artists can be a great experience and you never know where duetting with somebody could take you. Have you ever found that your voice doesn’t sound so great until a couple of songs in? The Talking Heads version of “Take Me To The River” is a shot of whiskey to the soul, all slow burn and lingering warmth, and centering on this notion that, as David Byrne wrote about in the liner notes for his former band’s best of album, it’s “a song that combines teenage lust with baptism.” And the way he and the rest of the Heads perform it, as a slow caress under the cover of darkness, it’s enough to leave you sweaty and spent. When Mick Jagger sang “I’m gonna tell you how it’s gonna be/you’re gonna give your love to me,” he couldn’t have had any idea how right he’d turn out to be. It’s hard to separate the album from its contextual sadness—especially given the LP’s heart-stopping centerpiece, a brooding rendition of Nine Inch Nails’ “Hurt,” in which the iconic singer glimpses his own mortality. It’s a very slow tempo song but that just means you have more time to concentrate on and, Just Give Me A Reason by Pink & Nate Ruess, I Knew You Were Waiting by George Michael & Aretha Franklin, Endless Love by Diana Ross & Lionel Ritchie, Ain’t No Mountain High Enough by Marvin Gaye & Tammi Terrell, Broken Strings by James Morrison & Nelly Furtado, Secret Love Song by Little Mix & Jason Derulo, Nobody Wants To Be Lonely by Ricky Martin & Christina Aguilera, Don’t Know What Love Is by Lady Gaga & Bradley Cooper, One of a few duets the pair have sung together on the soundtrack to. —Bonnie Stiernberg, This one is a bit of a knotty situation as the song was written by Joni Mitchell but her recording of it (found on her 1969 album Clouds) was preceded by a hit version made two years earlier by Judy Collins. You don’t want to miss your cue, or end up singing the wrong parts which are reserved for your partner. —Hilary Saunders, Like the Beatles, dozens of ‘60s acts latched on to the songs of Bob Dylan, reworking them to fit their sound and then working them into their repertoire. “Where do bad folks go when they die?” Cobain sings over the Puppets’ crawling, bluesy guitar fills and Dave Grohl’s subtly brushed drums. Play on Spotify. Often a forgotten song, this is a really beautiful ballad and another great duet for a male and a female singer to enjoy performing. It’s a great pop song but it’s also a fun song to perform as a duet. It’s a completely different atmosphere, but just as hypnotic. But Buckley’s tragic and untimely death also shrouds “Hallelujah” in a somber post-mortem reflection of love and life and their fleetingness. The Bobbyteens’ scrappy, budget rock approach feels rough and greasy with heavy riffs and battering drums. But it’s pretty clear that Metallica’s 1998 cover is an ode to Thin Lizzy’s hit 1972 single. Working with longtime collaborator Willie Mitchell, Green pours on the soul with haunting strings—who doesn’t love that moment when they try to match the feeling of a light wind just after he sings, “I can still feel the breeze”?— a roiling organ line, and perfectly utilized background singers. Make sure that you are partnered up with someone whose voice works well with your own and that the chemistry is there. You wouldn’t want to find that one of you is unable to hit the high notes while the other can so, if necessary, change the key so that it suits you. The mark of success here is that, despite the absence of Nile Rodgers’ inimitably rhythmic hook, the cover works on its own terms. Share your advice and any suggestions in the comments section below. Twenty-five years after its release, Mariah Carey's ultimate holiday bop is still the go-to tune to get any… You may well have got used to singing and performing on your own, but getting the chance to do so with another singer is a great opportunity to enhance your skills and to learn more from each other. Page later took his own psychedelic interpretation to Led Zeppelin, featuring his iconic guitar bowing and wild instrumental breakdowns. It’s a beautiful ballad and works well for singers with different voices. Oftentimes the newer version draws out the original’s complexities in a way you never would have noticed before. —Amanda Schurr, A veteran soul/R&B singer-songwriter of intermittent solo and group success since the early 1960s, Bettye LaVette flew mostly under the radar until 2005, when her covers album I’ve Got My Own Hell to Raise garnered rave reviews from everyone from Elvis Costello to Bonnie Raitt. It maintains high energy, but it’s an energy that matches the anxiety-driven content and still manages to feel appropriately dark and moody. 1. He accentuates the allusions in “Hallelujah,” but renders it both spiritual and secular. In the mid-to-late 1960s, pretty … —Sara Bir, Perhaps Metallica’s version isn’t better, but it’s epic in the listening pleasure it has to offer. Come prepared having practiced singing at home so you are both ready to go. —Ryan Reed, © 2020 Paste Media Group. It’s also a very enjoyable song to sing and the tempo of it gives you a chance to work on your performance together. Many pubs and bars across the globe welcome amateur singers up on stage to belt out renditions of classic songs using lyrics on an interactive screen. Penned by Buddy Holly’s bandmate Sonny Curtis in 1960 and later popularized by the Bobby Fuller Four, the track is basically one sunny chorus extended to two-plus minutes—but what a chorus it is. Ike and Tina Turner’s take on this CCR song isn’t just better than the original; it’s better than most songs, period. It’s a good, fun song to sing and a good one to perform together. 1) and became an instant classic that’ll continue get people moving at weddings and bar mitzvahs until the end of time. But Nirvana transformed it into a simmering anthem, wringing out the turmoil from lyrics about hellfire and sin. It’s partially due to the mildly quickened pace, but the main reason the cover is so memorable is because of its diverse roster of voices. In the next year, you will be able to find this playlist with the next title: Best Male Songs 2021 - Today’s Top Male Singers 2021. The frustration behind the question is executed with far more potence and indignation, plus it’s much easier to believe that Paternoster is “not the kind of girl you’d take home.” And of course, where the original calms down and scales back, the Screamales’ version derails into Paternoster’s frenzied guitar-shredding. What is Karaoke? —Amanda Schurr, The original version of this desperate ode to the ravages of heroin is a hard listen in its own right. Both great pop singers, this works well for anyone as this is an easy song to sing along to. Now that we’ve seen some of the best duets for a male and female singer to sing together, it’s also interesting to take a look at them individually. While Smith uses different lyrics that inject a fierceness and lustiness into the track Springsteen originally rejected as another love song, his version offers a torpid gruffness that searches inward for meaning. What pushes it over the top, though, is the little moment when you can hear the audience respond rapturously to the line, “But I can play this here guitar.” You sure can, George. Look at each other when you are performing and ensure you have positive body language – although be careful not to take it too far the other way. Make sure you have warmed up your voice and drunk some water before you begin. The next key point is you need to know when it is your turn to sing. The Cover Girls (female covers of male songs) By bartjekokos. It protects your vocals... Read more ». These girl power songs and feminist songs will inspire women empowerment from artists like Beyonce, Lizzo, Dolly Parton, Little Mix, Yoko Ono, and other female singers. Brandon Urie has a tenor voice that spans four octaves so this is great for male singers that can hit this range. —Bonnie Stiernberg, The Ramones took this already-lean Bobby Freeman original (also famously covered by the Beach Boys) and trimmed it of any remaining fat—like many a Ramones song, it clocks in at under two minutes. The Clash’s influential take was recorded for their 1979 EP, The Cost of Living, and was issued on that year’s American version of their self-titled debut LP. —Bonnie Stiernberg, With all due respect to the adorable, digitized tunes on The Postal Service’s indie cult-classic, Give Up, it seems some of the songs are just better suited for other artists. You need to make sure you are both coming in at the right moment, that you are in the same key, that you harmonize well together. Even though this video sounds like the band have assembled their best mates round the pub piano for a … —Ryan Reed, Recorded just a few days before her death, Janis Joplin’s gorgeous version of this Kris Kristofferson-penned song would go on to be a posthumous hit—in fact, her only song to reach No. The misty, lingering chords and Maria Taylor’s forlorn whisper-singing during the outtro is just icing on the cake. Lines like “I’d trade all my tomorrows for one single yesterday” hit especially hard in light of the legendary singer’s premature death, and her unparalleled vocals make this one an enduring classic. It helps that the source material was created by the great songwriting team of Doc Pomus and Mort Shuman and that their arrangement is so spare and open that it could be easily adapted for a rocksteady beat and Dave Wakeling’s blue-eyed soul vocalizing. He imbues “Hallelujah” with sexual tension, leaving it aching and confessional. 7-11 The Postmarks • By the Numbers. Tambourine Man” were recorded in 1965 alone, the same year that Dylan released the original. It also got us thinking about how relatively few great covers of Cohen songs there have been by female artists. They ar —Robert Ham, The Kid Cudi original is also highly recommended, but this one’s notable because on paper, it should be terrible. It was such a habit at the time that at least 13 versions of “Mr. —Robert Ham, When The Shins decided to take “We Will Become Silhouettes” and folk-ify it, they were taking a considerable risk. Both renditions of the song reside in their own space and time: the Collins version with its chiming keyboard line and swinging beat feels set in the bright afternoon hours while Mitchell’s spare acoustic guitar and vocals seems perfect for watching the dusk give way slowly to nighttime. It works really well as a male and female duet because the singing parts are very different but also works well for both male and female vocals. 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