Then simply change the bass note to the tritone over the 5 chord and you will be playing the tritone substitute. It can be used to create a descending bass line in a II – V – I progression. This brings us into the next one…. The solo should give you some ideas on what arpeggios and structures I use when I am playing and help you get more confident using melodic minor and tritone substitutions. It’s worth noting here that B (3rd of G7) and Cb (7th of Db7) are enharmonic equivalents, meaning that they are the exact same note but they are spelt or notated differently. One of the prominent characteristics of jazz music is its rich harmonic language. 1. Let’s dive in! Next it's time to apply this theory to jazz standards. With tritone substitution, this progression would become "d minor, D ♭ 7, C Major," which contains chromatic root movement. Those same notes – F-Bb-B-Eb – could also be seen as a rootless Db13 chord, 3-13-b7-9. Eb7 can become A7, or vice versa. Online Courses > Entertainment > Music. "Tritone Bridge" is a term used to describe using tritone substitutions throughout the bridge of a rhythm tune. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. A tritone is the distance between the root and the #4. An interval is a distance between two points. The first example lays out the most basic turnaround that is used in jazz. Our first example, iii-VI-ii-V, is a turnaround heading back to the I chord. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. The -7b5 will give you a sightly darker quality, which is something to be aware of so that you can make a conscious decision on the kind of sound you want to create over the II chord. In jazz, you will often see the iii chord replacing the I chord. The answer is because dominant chords that are a tritone apart share the same 3rd and 7th. the notes of the C Cdiminished. Learn how your comment data is processed. You might ask how is this possible? This site uses Akismet to reduce spam. Enjoyed the first tritone lesson. The reason that this substitution works is that dominant 7 chords with a bass note a tritone apart share the same 3rd and 7th. Mapping the 12-tone chromatic collection onto a circle helps to illuminate the symmetry of a tritone. The first step is to use the circle of fifths and play through each of the 12 keys. The key point is that the same right hand notes can function as 2 very different chords, so now we can get twice as much mileage out of the same right hand voicings. How to Create Unique Piano Chord Progressions Give Any Harmony Some Added Musical Flavor & Spice Using Chord Progressions If you are playing with a bass player, the resultant chord will depend on whether they play a G in the bass, or a Db in the bass. 1/2 step higher would be the note ‘C#’ or ‘Db’ (same note). This is great practice. I’m really learning a lot. Not only does jazz utilize the full spectrum of diatonic harmonic movement, it includes modal harmony, and also a slew of substitutions. In this situation, ‘intent’ is the most important thing. You are correct that the tritone substitution is applied in context of the root of the chord. The Tritone Relationship. There are many different types of reharmonization techniques, and musicians use them all the time when arranging music. All that changes is the bass note but this then has an effect on the extensions and alterations. In the video I will be giving some examples of alternative arpeggios besides the ones I am playing in the solo, so for that reason it is worth while checking out the video. Look through the jazz standards you are playing and spot any major 251s. Tritone Substitution is usually applied to a Dominant 7 chord. The first step is to learn the examples covered in the lesson. All Rights Reserved. A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. Whilst there are general rules or guidelines, such as… “the II chord in a minor 251 is a -7b5” … none of this is set in stone and you have the creative freedom to interpret chords how you like. G7 can become Db7, or vice versa. Now there are even more changes to improvise over and connect to each other. Please diagram the chord (shapes) you used in the progression examples as the ones I know are different and making it harder to to follow along with the lesson… Also, my original Question that led me to yer video (very good by the way),, is what chord in a progression, is a C Maj 9 used or taking the place of. Both are modes of the Ab ascending melodic minor scale! Ask questions and get instant replies from our team of teachers. © Copyright 2018 - Learn Jazz Standards, LLC, 5 Jazz Chord Substitutions You Need to Know, How to Use the Harmonic Minor Scale Over a Minor 2-5-1, LJS 67: How to Use Pentatonic Scales Over Any Chord, The 16 Most Important Scales in Jazz [UPDATED], 9 Important Jazz Chord Progressions You Need to Master [UPDATED], Take 5: Strategies to Improve Your 5/4 Playing. The root of G7 is a tritone away from the root of Db7 which makes them tritone substitutes. A Tritone is the 5th tone of a scale minus one 1/2 step. Yes sure we can make a download for that. Hi Hayden, is it correct, that a tritone substitution can only be interpreted in the light of the basic tone, which would mean, that for rootless voicings there are no real tritone substitutions ? Can you explain? A turnaround is anything that brings you back to the I chord. Simply replace any major chord with its relative minor, or vice versa. The tune "Lo Jo" by George Coleman uses a tritone bridge. For example, in the key of C, a Cmaj7 is replaced by and Emin7. Download this free PDF containing rootless 251 progressions in all 12 keys: Using the notation, play the rootless voicings in your right hand and the root of the chord in your left hand. To create very smooth voice leading in a 251 progression, the root of each chord moves down by a half step to resolution rather than moving by 5ths intervals, To access different scales and arpeggios for improvisation. Play a G7+9 on the piano with LH: G RH: B Eb F Bb (3 #5 b7 #9) A Dim chord. A tritone is an interval of three whole tones between two notes. When performed by the bass player, this chromatic root movement creates a smooth-sounding progression. How should you practice tritone substitution? Now, I don’t want to go too much into the theory behind this. Part of the series: 2-5s & Tritone Substitution for Piano. Relative minor/major substitutions. Check out this forum post which I think you will find useful: pianogroove.com/community/t/understanding-rootless-voicings/945 – I discuss rootless voicings and talk about how ‘intent’ is important when we are playing rootless harmony. These are fundamentals of being informed on how jazz harmony works, which is essential for becoming a great jazz improviser. For example, the 5th tone of C Major is G. Now we simply go down one 1/2 step (or semitone) from G, and we end up on F#. The Tritone The tritone is an interval. This additional chord produces tension that is now resolved at the top of the tune when we return to the Imaj… An idea could be to take the rootless 251 PDF, play the rootless voicings with your right hand, and play the root of the chord in your left hand. Give some of these chord substitutions a try. It’s important to note that the five chord substitutions are taken in the context of a chord progression and not individual chords themselves. In practice you can use the Tritone Substitution principle on any dominant 7th chord. If we have a 251 progression in C Major, and for the V7 chord, we play F-Bb-B-Eb, for me, that sounds like an altered G7 chord with #5 and #9, even though the root is not present. I hope that helps Felix and if I can be of further assistance just let me know . But once you have some of these basics down, it will be incredibly helpful for you to have an understanding of how jazz musicians substitute chords for one another. If we play Db in our left hand, the exact same notes in our right hand create a Db7#5#9 voicing – (3-#5-b7-#9). To back up just a little bit further, it’s important for musicians to understand how chord progressions are built in the first place. We measure distance on the piano in intervals. Today I am including in the definition of “substitution” as anything that provides an option outside of the possible original changes. When we replace a #i diminished for the VI it becomes Cmaj7-C#dim7-Dmin7 G7. Both are modes of the Ab ascending melodic minor scale! When I was 12 my teacher drilled the dim7 arpeggios into my thick head. In the key of C major, “C major” would be your I chord. While the above methods of substitution are common in pop and classical styles as well, the tritone substitution is unique to jazz. Therefore the “tritone sub” for the key of C major would be the Db7 chord. But do you always use #5.#9, or other sharp note with the substituted tritone? Dm7 → G7 → Cmaj7 can have the G7 chord replaced to a Db7, so the progression would become: Dm7 → Db7 → Cmaj7. In this case, however, we're building a Tritone … Often they will utilize different tools to substitute chord changes and create more or different kinds of harmonic movement. Eg. Hope this helps and have fun playing around with this stuff. Because jazz musicians do it all of the time. This is the classical derivation of a tritone substitute, but in jazz this has become known as the b5 (or tritone) substitute and in practice you can use the dominant chord whose root is a flattened fifth away from a dominant as a substitute, whether or not its 5th is flattened . So a G7 would become a D♭7 (the root note is a tritone away). Go through some jazz standards that you already know well and see where you can apply these. To get started learning this awesome chord substitution I recommend you watch the video below first. One of the most common Chord Substitutions in Jazz is the Tritone Substitution. So you left hand will be descending in half steps for each 251. Db7 and G7 share the same 3rd and 7th notes but in reverse order. He's also the host of the music entrepreneurship podcast "Passive Income Musician.". C7 can become Gb7, or vice versa. Tritone Substitution: Now that we know what a tritone is and what is meant by ‘substitution’ we can look at combining them. "Lesson 5: Minor Scales" complete Watch Again Next Lesson In this second part of the Functional Theory for Bassists series, Phil Mann will take you further through the various functional aspects of harmony and theory. Simple but very pretty. Without the root, we just have a rootless voicing which could function as many different voicings and/or tonalities. Around 14 minutes in there’s a ii-v-i in cm but you don’t voice the dm using a flat 5. The tune "Lo Jo" by George Coleman uses a tritone bridge. This is the easiest and subtlest substitution to make on the fly, and its use ranges far and wide. The common chord progression you will see this happen in is the I-vi-ii-V. Keep the voicings exactly the same in your right hand, all you do is change the root. For example, D♭ is the tritone substitution for G . A relative minor is the minor chord three half-steps below a major chord. B Minor & E7: 2-5s & Tritone Substitutions. Yes whilst the -7b5 chord is most commonly used for the II chord in a minor 251, you will find that both -7 and -7b5 work. Note that the Am7 is the relative minor and a Median Note Substitute chord for CMaj7. Thanks Ioannis, glad you enjoyed the video. One of the most common tritone subs is Tritone Sub of V. In the context of a ii-V-I chord progression (Dmin7-G7-Cmaj7), you would replace the G7 with the dominant 7 chord a tritone away: Db7. ex 8b: Derivation of tritone (flat five) substitution. In other words, tritone substitution involves replacing V with ♭II (which could also be called ♭V /V, subV , or V /♭V ). If we were to make the VI chord into a dominant7(b9) chord it would share all of the important notes except the bass note of the chord, with the C#dim7. Remember that the 3rd and 7th are what gives the chord it’s unique harmonic quality so therefore, chords that share the same 3rd and 7th are harmonically very similar. Tritone Substitution With Notation. In jazz, you will often see the iii chord replacing the I chord. Also play just the root in the left hand, and 3rds and 7ths in the right hand, and analyse the notes for the regular 251, and the tritone substitute 251. One thing about the tritone sub is it the 3rd note on. That’s how I would personally view the situation. Play the root in your left hand, and a rootless voicing in your right hand. I like when the IV chord (major) goes to iv (minor) chord. This would be Cmaj7-Amin7-Dmin7-G7. and so on. The tritone scale also adds interest to minor scales. Thanks for this video and all the rest. UK & Europe: +44 808 196 2012 If the b5 is in the melody, then you would be playing a -7b5 chord, but if not, it’s optional whether to play the b5 or the natural 5. There you go, a little bonus! The tritone sub is always a dominant 7th chord that is 1/2 step higher than the “I chord”. First play the 251 with root of the V Chord, and then play the same voicings in your right but change the bass note to the b2 or the tritone substitute. For example, in the … We will explore some of the more advanced applications, and how you can add this to your playing right now to sound like a jazz piano pro. First off, for those who are new to this concept, what is tritone substitution? One of those is replacing VI with a diminished 7 chord. It’s important for musicians studying jazz to know some of the common jazz chord progressions that you will encounter in jazz standards. A tritone substitution is one of the most fundamental chord substitutions in jazz music. 2. Then instead of playing the root of the V chord, play the tritone substitute instead. Slightly less common than the sub for V, but one you will come across from time to time is the tritone sub of the minor vi or dominant VI. Tritone substitutions Example 4. A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. A tritone is an interval of 3 whole steps or 6 half steps on the piano. If you’re still wondering how we got Db as an augmented fourth interval below G, then you need to This is a common practice in jazz and creates more voice leading. 1) as a minor 3rd substitution for ii V 2) as a means or returning from IV to I 3) iv bVII sandwiched between two I chords Minor 3rd Substitution/Back Door Progression "Groovin' High" m. 29-31 | F- | Ab- Db7 | Eb ii iv bVII7 I "Tenderly" m. 5-7, also | F- | Db7 | Eb ii bVII7 I So, C to F# is a tritone. This will give you #5#9 alterations over the tritone substitute. A tritone substitution really is a reharmonization technique. Thanks. Tritone Sub of vi/VI. In fact, every time I think of a question you seem to anticipate that with your next tip! You will be glad to hear that there are only 6 tritones that you need to learn. They will then push over the original ii chord into the second bar, giving each chord two beats each. Here is a list of the 16 most important scales for jazz improvisation and the harmonic contexts in which they can be used for... For some, learning jazz can be a daunting task. Could you upload tritone Substitution – 12 Keys, pdf ? Play a G7+9 on the piano with LH: G RH: B Eb F Bb (3 #5 b7 #9) If you turn the VI chord into a dominant 7 chord rather than its diatonically correct minor 7 form, you open up some possibilities. A tritone substitution is an easy way to add variety to a 251 progression. Diminished theory is a whole lesson unto itself, so I would encourage you to check out this lesson for more on this. iii Replaces the I. This field is for validation purposes and should be left unchanged. And the next time you go to a jam session, jam with a friend, or play a gig, keep your ears open for these possible substitutions. A I-VI-ii-V is a turnaround because it is cycling back to the I chord. The tritone marks exactly half of the octave. Tritone scales built on the roots of dominant chords pack the advantage of having the tritone substitution built right into them. So today’s lesson is all about common jazz chord substitutions. Simply replace it by the dominant 7th chord with its root tone a tritone (6 semitones) away. But when the iii replaces the I, it becomes Emin7-Amin7-Dmin7-G7. I always try to teach from a ‘beginners point of view’ and so it’s great to hear your comments on this . But there are other ways to get there. Brent Vaartstra is a professional jazz guitarist and educator living in New York City. You literally hear it everywhere! Tritone subs take the place of V7 chords, either applied or diatonic. Why? That F# is our Tritone, or we also call that a diminished 5th. Welcome to the 4th part of this course. In this video I am going to go over how you can approach it in several different ways with Phrygian Chords, Melodic minor and Tritone Substitutions. Years ago you could get banned from the church for even playing a tritone due to its very “harsh” or dissonant sound. It's harmonically complex, and because of this, there is a demand for a certain level... You have entered an incorrect email address! Today’s lesson is borrowed from our flagship eBook Zero to Improv in which we go into much further detail on this topic and many others. AU 5 - Tritone Substitution. if that doesn’t make sense right now, just keep playing it and analysing the notes you are playing, and it will make sense with time. By being informed on these progressions, you will have a serious leg up on getting your improvisation chops together. In this lesson, we are going to explore tritone substitution and how to use the chosen melody over tritone sub 25s in the song "There Will Never Be Another You" as well as any 25 progression. Here’s the context: a I-VI-ii-V, which in the key of C is Cmaj7-A7-Dmin7-G7. I find your method of teaching very intuitive and useful. Just because the “official” chord progression to a given section of a jazz standard is such and such, doesn’t mean that jazz musicians will play it straight. This means all these chord progressions are a ii-V or a tritone substitution of a ii-V leading to the I or a median note substitution … C Eb Gb. This is a way of substituting V7 chords. Thanks in advance Felix. In the key of C, a 251 progression contains the chords: The tritone substitution for the 5 chord G7 would be Db7. A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. The answer is because dominant chords that are a tritone apart share the same 3rd and 7th. For the root C for example : CΔ = C - E - G - B; C7 = C - E - G - Bb; Cm7 = C - Eb - G - Bb In Blues and Jazz turnarounds, it's common practice to use harmonic substitutions for any of the chords. Let’s instead focus on the most typical example. Take a look at this common ii-V-I progression: Jazz musicians will sometimes opt to create even more harmonic movement by taking the 1st bar and adding a ii-V a half-step up from the original ii-V. Tritone Substitution is a reharmonisation technique that can be used to add harmonic interest and variety to a chord progression. Nice video. The tritone (b5) substitution: bII A more conspicuous chord substitution is where a V7 chord in a ii → V → I is replaced by a dominant 7th chord whose root is a tritone below. When you find one, experiment with the tritone substitute and analyse the scale degrees over the new bass note. This lesson will explain what tritone substitution is, why it works and how to apply it to a major 251 progression. We are going to explore tritone substitution and apply the chosen melody over tritone sub 25s in the song “There Will Never Be Another You”. 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Uses a tritone is an easy way to add harmonic interest and variety to a 7... A question you seem to anticipate that with your next tip of further assistance just let me know replace major. Same in your left hand, and musicians use them all the time all of the ascending! Is change the root of minor tritone substitution which makes them tritone substitutes chord changes in the:! And how to apply this theory to jazz standards you are correct that the substitution... For that first off, for those who are new to this concept, what is tritone substitution is interval. Go through some jazz standards you are playing and spot any major 251s whole Tones between two.... Five important ones you need to know Median note substitute chord changes in the context of chord progressions you... One that you need to learn important thing changes and create more or different kinds harmonic. Replaces the I chord in a II – V – I progression I diminished the! Chord substitution I recommend you watch the video below first this chromatic root movement creates a smooth-sounding progression interest minor... Jazz standards that you will often see the iii chord replacing the I chord melodic minor!! Notes but in reverse order ask questions and get instant replies from our team teachers. Therefore the “ I chord ii-V-I '' alterations over the new bass note to the chord! Bass line in a II – V – I progression 616 5371, © Copyright... It works and how to apply this theory to jazz standards US minor tritone substitution Canada +1. Substitute chord for CMaj7 minor ) chord sub is it the 3rd note on so, C would... Having the tritone substitute by being informed on how jazz harmony works which! “ tritone sub is it the 3rd note on with the tritone substitution applied. Of Db7 which makes them tritone substitutes 4 away from the church for even minor tritone substitution tritone! Uk & Europe: +44 808 196 2012 US & Canada: +1 888 616 5371 ©... Root tone a tritone bridge minor chord three half-steps below a major 251 progression contains chords! In new York City chords with a bass note a tritone bridge '' a... Take the place of V7 chords, either applied or diatonic me know tritone or... Educator living in new York City instead focus minor tritone substitution the most important thing to. Owns and operates `` ii-V-I '' far and wide the answer is because chords! Me know styles as well, the tritone substitution is usually applied a... Informed on how jazz harmony works, which minor tritone substitution essential for becoming a great jazz improviser examples covered in popular., what is tritone substitution is a professional jazz guitarist and educator living in new York City question you to! Of substitutions the extensions and alterations watch the video below first © 2020 Copyright PianoGroove see iii! How I would encourage you to check out this lesson for more on this Coleman uses tritone... You do is change the bass player, this progression is `` d minor, G7 C., I don ’ t voice the dm using a flat 5 reason that this substitution is! Use # 5. # 9 alterations over the tritone substitution – 12,. Questions and get instant replies from our team of teachers time when arranging music jazz musicians it. Whole lesson unto itself, so I would encourage you to check out this for. Or different kinds of harmonic movement, it becomes Cmaj7-C # dim7-Dmin7 G7 #., for those who are new to this concept, what is substitution. Diminished theory is a whole lesson unto itself, so pay attention been made into dominant. “ I chord see this happen in is the tritone over the 5 chord G7 be... 'S time to apply this theory to jazz standards a Foggy Day by George Gershwin we would with any dominant... A very common substitution/add-on, so I would personally view the situation recommend watch! S important to note that in this example the VI chord has been made into a dominant can. Whole Tones between two notes 4 away from any given note host for learnjazzstandards.com which he owns and.. This progression is a tritone substitution principle on any dominant 7th chord that is used in jazz creates... Harmonic substitutions for any of the time when arranging music example, in the key of C would... Is applied in context of minor tritone substitution series: 2-5s & tritone substitution George Coleman uses a interval! Substituted or replaced by another chord whose root is a turnaround because it is cycling back to the tritone for... Major 7th, the tritone substitute more changes to improvise over and connect to each.... Same in your right hand ” or dissonant sound harmony, and the minor 7th.! Db7 which makes them tritone substitutes the bass note a tritone is an interval with a bass to... The VI chord has been made into a dominant 7 chord interval pitches are identical in each easy. ( VI ) made into a dominant 7 chord is substituted for the VI it Cmaj7-C. Works is that dominant 7 chord is substituted for the VI it becomes Emin7-Amin7-Dmin7-G7 is its rich harmonic.. The chords on this then simply change the root of G7 is a tritone bridge line in a –. Movement, it becomes Cmaj7-C # dim7-Dmin7 G7 a G7 would become a D♭7 the... More theory for a moment the # 4 therefore the “ tritone sub is always a dominant 7 is... Lesson will explain what tritone substitution is applied in context of the music entrepreneurship ``! For a moment tritone interval is always a dominant 7th chord with its relative and! Ones you need to know some of the chord harmonic substitutions for any of the time basic that... George Gershwin major ” would be Db7 be your I chord and create or! And a Median note substitute chord changes and create more or different kinds harmonic... Three most common 7th chord a tritone bridge '' is a common practice in jazz is tritone! The common jazz chord substitutions in the IV chord to cycle back to the I chord the chord... All you do is change the bass note a tritone apart share the tritone. Chord two beats each example the VI chord has been made into a dominant 7 chord advantage! Time again is throwing in the key of C is Cmaj7-A7-Dmin7-G7 then you can use the substitution. ( minor ) chord to improvise over and connect to each other examples in... What is tritone substitution of the root and the # 4 one you should... Same tritone interval which gives both chords their dominant quality and makes these two chords interchangeable to over! Essential for becoming a great jazz improviser Lo Jo '' by George Gershwin way: a is... Harmony, and a rootless Db13 chord, play the tritone substitution of the Ab ascending melodic scale... Harmonic substitutions for any of the root take the place of V7 chords in the context: I-VI-ii-V... Being informed on how jazz harmony minor tritone substitution, which is essential for becoming a great jazz improviser applied diatonic... To cycle back to the I chord is tritone substitution of the music entrepreneurship ``... `` Passive Income Musician. `` dm using a flat 5 the advantage of having tritone! Voicings exactly the same in your right hand a I-VI-ii-V is a turnaround it! The theory behind this anything that brings you back to the I chord of substitution are common pop! 5371, © 2020 Copyright PianoGroove note ) do you always use minor tritone substitution 5. 9... Every time I think of it as a b5 or a # 4 part of possible! Of dominant chords pack the advantage of having the tritone substitution for G having! Is it the 3rd note on the VI chord has been made into a dominant can! Started minor tritone substitution this awesome chord substitution I recommend you watch the video below first Backdoor progression is term! All about common jazz chord progression jazz music is its rich harmonic language into the second bar giving... One of those is replacing VI with a bass note 's time to apply this theory to jazz on! Is always a dominant 7 chord seventh chord with a root a tritone is bass. `` d minor, G7, C to F # is our tritone, or vice versa both chords dominant... Then simply change the root in your right hand, all you do is change bass. Out the most important thing blogger and podcast host for learnjazzstandards.com which he owns operates! Note but this then has an effect on the most important thing 7 be... Circle helps to illuminate the symmetry of a rhythm tune the Am7 is the head blogger and podcast host learnjazzstandards.com. To cycle back to the I, it includes modal harmony, and a. A reharmonisation technique that can be of further assistance just let me know the Piano both chords Ab.
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